in the month june of 2011, karton saw its gaily arise and nestled itself in the prism of deep electronic music people nowadays know as deep house, tech house and other minimalistic still unknown sub-genres. determined to do it right instead of wrong, the label has pursued their hunch in the on going quest of being a cool, fresh new imprint. this quest has made a path for karton, which has made them hatch music for certain styles of nightlife.

chord memory! the hymn for the widely used feature in 80s hardware synthesizers got some individual rewiring done. if ten fingers ain’t enough hyboid uses his galactic memory for punchy disco purposes while robyrt hecht reaches for a swinging pivot memory to sweep and swipe your electro habits. on the other hand milium likes the exposed wires of his mutiny memory to revolt whereas cco simulates his natural echoic memory with floating acid sparks. completing the mechanical rewiring the duo nachtzug added delicate software to execute the algorithms and installed a memory loss button, if you are in need of a reset.

repress alert: -last night- featured in prosumer s landmark litte white earbuds podcast - the last of 200 curated by the influential blog. featuring a combination of jill scott s smooth vocals, shuffling percussion and saintly keys, it s easy to see why this track has seen enduring support from the likes of the one-time berghain resident, as well as alex nut and other nts djs. -that good thing- marries another rnb vocal to a rough-and-ready beat to maximum party-starting effect

after a fine first ep on the label in 2105, dutch duo artefakt are back on delsin with the mental universe. this four track ep again finds robin koek and nick lapien showcasing their knack for spellbinding grooves of voodoo techno, absorbing ambient and frictionless drum programming after other outings on the likes of prologue and field records.

there’s much to be said for chance meetings. vitruvians – in their words, “a meeting of minds, cultures, styles and experiences, powered by music, and designed by faith” – owe their very existence to once such random encounter.
in the summer of 2014, producers frankie valentine and thomas “t-ash” sciurpa bumped into each other in a london shoe shop. over a fine selection of brogues and loafers, the conversation drifted onto music. the duo quickly realized they had much in common, and a plan began to form: they would get together and make music as vitruvians, using the alias as a vehicle for their collaborative work.

flames & figures is the second full-length album from the seshen, whose forward-thinking sound combines synthesizers, drum machines, live percussion and entrancing harmonies for an unmistakable fusion of r&b, synth-pop and electronic music. the long player sees the band on the cusp of a new era, two years in the making, the album marks an evolution in the seshen’s unique sound.

this is an official reissue of what am i gonna do for fun by the band pitch (1982 - new york city). this release also includes a fantastic remix or rework by tolouse low trax (toresch, salon des amateurs, düsseldorf). a few words from stuart shape, the producer: feels like it was done by another person. i remember getting the serge synthetiser to stay in tune was always a problem. we were fascinated with the new sampling that were just coming out, and kind of got carried away on the vocals. not sure what i was thinking about with the lyrics, guess maybe trying to figure out what i was supposed to be doing when i wasnt working or playing music unfortunately no other finished tracks from that era have survived. they recorded a lot, but finished and saved very little.

deep88 is back! here is a 7 track lp, music without any pretence, no silly fx or crazy compression/production tricks to take away from the music. just that 1988/1993 vibe with a slight balearic twist but some how avoiding to sound like a poor copy or dated. this last statement couldnt be any truer on this release. the vibe is carried through the whole ep with each consequent track then offering something a little bit different, some showing his balearic side and other tracks having a more house feel.

waxtefacts swings by the block with a bunch of ep’s from the crew. first off - strip steve with the dog days ep. landing on the a-side - cause it’s cold outside cools up the vibe with it’s evolving racing mood which is set to shift temperatures across any room. whatever u.b. pushes you back where you came from and gets your inner you dancing with the other inner you. for machine gum funk, strip steve teams up the mysterious dj storch for a live jam that captures the moment. capo puts the crown of the ep with teleporting you to the land of dreams where we will leave you hanging until the next wxtfx release.

the feel music reboot continues with two new tracks from label boss john daly. continuing to push his tempo faster, while at the same time producing some of his deepest work yet. paradise has been a live staple for a while, and it has definitely earned its spot on the label, rocking floors all over the place for some time now. crystal visions on the other side is the kind of deep trip you only get on feel music. universal divine. co-ordinates and associates. feel music 2016

on this first captivate vinyl release by inertie you’ll cross the way of two different kind of minimal house. the rhythmical one on the a side, with two bomb tracks from anam nesis & max cohle, surfing between the romanian wave and the strong tech from dance floor. on the b side, let yourself go to a nice, celestial trip, with two tracks from dragutesku and sÿn & vlaskiu. those two other tracks will be perfect to suit all kind of good vibes after parties.

subosc is back with organic elements. we present four rhythmically effective tracks with an underlying theme: rarefaction, dense textures and evocative atmospheres inducing a spectrum of sensations like melancholy, introspection, mind wandering and encouraging the search for the self.
we thought long about this selection, until we reached what we wanted: a collection of timeless and immersive landscapes, modeled by alan backdrop (prologue), artefakt (delsin), ben gibson (axis) and tripsolate & redundaent (nowhere).
the artwork, curated by hillary flanders, is inspired by the nietzsche’s idea of -the overman- (ubermensch), which is one of the most significant concept in his thinking: an overman should be able to affect history indefinitely, keeping on reentering the world through other people’s minds and affect their thoughts and values.
the release aims to be a must have for the lovers of techno music characterized by refined aesthetics and analog warmth, ideal to give added value to autumn moments.
vinyl only release with a limited pressing!

death on the balcony s ‘tides of fortune has been the subject of relentless -track id- requests pleading us to reveal the name of the artist and track since be-at-tv streamed the bpm performance of lee burridge and matthew dekay back in 2015. joined on the ep by three other tracks there s a cohesive feel to the two friends vibe. mysterious melodies drift in and out of the hypnotic grooves on rivers of sound that could have soundtracked a star trek episode from the original series. 1700 miles is delicate and deep with a simple infectious vocal sample. don t be deceived though. when played on a club system the kick drum and bassline draw you in while the atmospheric elements send the listener to otherworldly places. we feel rather privileged as this track is mark’s first solo outing from dotb under his new moniker “caramelli” and dotbs first full length on all day i dream. mark’s back in the band for memories of the future which completes the release with its funky bass and trippy ambience. close your eyes and be transported.

dominatrix is a synth-pop/electro project from the 80’s, best remembered for their 1984 club hit, “the dominatrix sleeps tonight”. the brains behind this new york city based project is producer/songwriter stuart argabright, whose other projects over the years have included ike yard, black rain, the futants, the death comet crew, the dystopians, and the voodooists.
the story behind this project began one night when a young stuart met a beautiful mysterious older women in a corvette while hitchhiking. they became friends, spending nights at her east side apartment, getting high and listening to bowie records. after argabright noticed the bull whips and manacles hanging in her closet, it became apparent that his friend’s occupation was chaining up, whipping, and torturing upscale manhattan businessmen (who were very willing victims and had the credit card bills to prove it). this project came to life because of his sincere admiration and respect for professional dominatrixes.
this is a limited edition on white vinyl with un-released tracks from dominatrix.

los angeles duo split secs return to the world of vinyl-based, dance floor devastation after their recent remix of fomos house of love, which features none other than soul diva supreme, chaka khan on vocal duties.

the ninth installment on house is ok comes from homeboy who brings four fresh joints to the table. after making the move to berlin earlier this year, this mediterranean goodboy brings some newly acquired production techniques with his latest record. live drum sampling, loose synth riffs and other more personal notes can be heard across the entire release. for decisions ricochet, homeboy teamed up with the croatian blues man bebe na vole who takes this record into unexplored territories for the label. these four tracks werent necessarily designed to move bodies on the dance floor, but more likely mirror his inspiration from the past 12 months and show his abilities to simply write great music. its house not house, post-disco, jazz, and acid synth hippie music all at the same time. the heart is where homeboy is will hit stores in late september both as a 12? vinyl ep

ear rot proudly presents royal beluga by mister woo. an electric psychedelic rollercoaster ride that tickles the corners of your mind that other noises just don t reach. three high-energy head spinners from mister woo and a tough, unapologetic rework of tea moth from susst - four tracks straight from the gut

a1.&a2. cutting edge london based dj producer duel launches his ibadan records debut with super track zed. in the studio duel hooks up with his comrade dos and execute their production skills and in addition jerome sydenham enters the frey to get down on the mix. the result is a healthy dose of avant-garde deep house on one hand and a virile dose of tech house on the other. this dj friendly romper is a sure banker!b1. jerome sydenham enters the deep techno realm in true vanguard style unleashing dogon. sparse vocals and tinges of acid and fat kicks shape this underground piece and put it right in the pocket. b2. mirror lines is a beautifully crafted contempo deep house track effortlessly combining a spirit of happiness with energetic resolve. this new york meets detroit flavor is the brainchild of jerome sydenham and amsterdam techno/house superstar shindoe, who is also making her ibadan records debut.

experimental synth quartet survive’s sophomore full-length and relapse debut is a dark, sweeping exercise in analog synth mastery. the pulsating, 9-song instrumental release showcases immense diversity between tracks - rr7349’s compositions range from grim tom-tom thunder to space-age epics, pairing tense plodding grooves with meditative ambience and driving, rhythmic beats. inspired by idm and horror scores alike, rr7349 is simultaneously ominous and hopeful, tense and relaxed, percussive and melodic. additionally, two of the group’s members recently scored the soundtrack for the hit new sci-fi / horror show stranger things on netflix. rr7349 is a unique addition to the relapse discography, and unquestionably survive’s best work to date.
the vinyl release includes a download code.

re.face limited inaugurates its first release on vinyl with a unique 4 tracker ep titled lost. authors of this work the italians re_named, creative and talented resident of one of the strongest national night-life realities, zu::club, based in pescara. if lost, eponymous ep track, condenses in itself the thrill of a hopeful search of quiet serenity, united seals the safety of a placid finding, conclusion of an introspective journey to the discovery of a significant identity of its own. on the other side, the remixes of sakro and jack wickham consistently run through the same vein, a current that leaves way of surrender, but never tragically lost.

the second release on tb arthurs (312) label finds the mysterious artist revealing a collaborative project with magda as blotter trax. the pair first encountered each other at the famous motor city record store record time, when detroit artist bmg introduced his then co-workers magda and derek plaslaiko to arthur, who was visiting the shop from chicago. sometime after that meeting, magda and arthur went into the studio and jammed together for a week, the session was recorded live on analog 1/4 tape and then three tracks were selected for release. 1a is six and a half minutes of modulated synth sounds that are psyched out and sci-fi, spooky and truly atmospheric. full of cerebral cinematism, acid lines and ghoulish textures all add up to a truly standout track. 2a then marries dark wave pops and clicks, unsettling alien lifeforms and menacing, slo motion industrial drums into a physical and imposing groover riddled with paranoid sirens and drones. last of all, 2b snakes and slithers its way through undulating drums, cosmic freakiness and gloopy synth sounds that are all seductive and subversive in equal measure. this, then, is a truly fascinating pairing.

for their third delicacies 12inch this year, smd take a deeper, more spaced out approach, in contrast to the strict techno of the previous two releases. far away from a distance features hypnotic synth washes that glide slowly in and out of time with the track s rhythmic bed, stumbling over each other in a 5am haze. -flying or falling- pushes into classic smd melodies, mournful detroit indebted warmth spilling over the groove.

this september will see visionquest release selector from luke hess, coming accompanied with remixes from delsin artist d5, label co-founder lee curtiss and maher daniel. detroit artist luke hess has been one of the most celebrated acts coming out of the motor city over the past decade with an impressive back catalogue boasting material on omar s fxhe, carl craigs planet e, echochord and kontra-musik to name but a few. here though we see hess join the roster of visionquest following recent output from wareika, vlad caia, tuccillo and mirko loko.

most fans of the blues believe it was born in the mississippi delta shortly before 1900. they are definitively wrong. the blues had its roots in other forms of older black music that are traced to the music of west africa. in that sense, mali music constitutes the dna of the blues and the griots can be identified as the direct ancestors of the rural bluesmen. baba sissoko is from mali and he is the last undisputed griot alive.

nice price deal !!! ”rundgang” (feedback in swedish) is a track made with feedback and i would call it a.o.t’s very own and personal interpretation of dubstep with ”lyrics” that reflects his wicked sense of humor. ”woot!” on the other hand is an evil excursion in filtered frequency noises and a distorted start/stop rhythm and this is nothing for the faint hearted so brace yourself you are in for a crazy trip verging on techno. the go koyashiki remix takes remixing to another level because go has stripped ”rundgang” to it’s bare essentials and produced a very minimal and slow pulsating track that ends with sublime pianoplaying.

volkoder new track on vinyl, together with some nasty beats from our exclusive catalog. you can not find these gems on any other format - tip

second circle returns with their first release of 2016, this time with an ep from australian producer tornado wallace aka lewie day. . following up on releases for the likes of beats in space, esp institute and delusions of grandeur, wallace takes a step to the left with his first record made in his new home of berlin. recorded earlier this year, the release presents a trio of oddball house excursions which are at times deeply spatial and hypnotic and at other moments heavily percussive and almost tribal.

hypnotising drone techno from the other world.

second vinyl celebrating 5 years of vilena records. side a is characterized by techno of two great italian artists: marco effe who has released his music on international labels such as cocoon, sci + tec, cecille and many other, and the duo system of survival (fventi music managers) which have productions on labels like bpitch control, rebirth, get physical etc.the b side is characterized by the tracks of two vilena artists: the first is andrea spadazzi aka andrea speed, who with his -daphne- consolidates as one of the best artists of our label, the second track has signed by incept which closes this vinyl.

no light at the end of the tunnel. no helping hand to pull you out of the hole. no second chances. no god to cure this deadly disease. no heaven to save your soul after your final seconds... hope will hold on, but in the end, death shall claim it. all this, we understand a little more, day by day. we will experience our absolute zero, and the stages of life that come as close. we think that we will never recover and that we are not strong enough to fight against it. our immaculate, peaceful souls, that we begin our lives with, start to bleed, and slowly get torn into, bit by bit by the cold hard truth that breaks our protective walls. we learn to handle and accept this even as pieces of us shatter and die every time a little bit more inside us. to give light, we must endure burning. but what if everything we are able to burn is gone? there is no other way... we are falling apart a bit more, every day... dedicated to this state of mind.

after beginning as a sydney club night in 2012, pelvis is readying its first release of original music on the new pelvis records imprint. entitled dance freak anthem, its a 4 track 12inch with an original from the crew at its core. reworks from label heads dj haus (unknown to the unknown, uk) and dj nozaki (10 inches of pleasure, japan) sit alongside the pelvis original and another fresh take on the track from australias very own mall grab. other releases from pelvis include a dance freak mixtape, split with nys venus x (ghe20g0th1k) and released on limited edition cassette.

believing that anything other than the music doing the talking is detracting from its purity, the elusive awol’s ideology shines through with the delivery of these heavy hitting techno bombs.

chicagos peven everett has long had a cult following for his own unique, live take on house music. fusing the finest elements of gospel, soul, funk and disco his tracks have always had something that most other producers lack originality! his music has crossed over many different genre barriers and has been supported by the widest selection of top dj s for many years with his cuts becoming stone cold anthems in clubs across the globe. i cant believe i loved her is one such track, a soulful piece lamenting a love that went wrong, the pain and disappointment are evident in peven s voice and playing but the track remains utterly danceable, a real bomb! on it s original 2002 release the track was a huge club hit, pushing it into classic status. both original mixes are featured here on this legit reissue, 100% sanctioned by king street records, nyc. brought back for 2016, an evergreen deep house classic essential business!

rain text is a new project by giovanni civitenga and giuseppe ielasi. this 4-track ep is the first in a series of records produced using each time a different and fairly limited bank of sounds. giovanni civitenga is a producer from rome, currently living and working in berlin. he has released albums under different monikers on various labels including brainfeeder and huntleys + palmers. in 2014 he started skyapnea, a label and series of broadcasts on nts radio. giuseppe ielasi grew up in the south of italy and now resides in the outskirts of milano. he mostly plays solo, but also in bellows (with nicola ratti) and in duos with enrico malatesta, kassel jaeger, andrew pekler. he has released (short) records on 12k, entr acte, senufo editions, dekorder, error broadcast and other labels and also produces music under the -inventing masks- moniker.

literary all the granny smith apple trees grown today, from uruguay to hokaido, are clones from mrs. smith’s original tree in sydney. bananas, oranges, watermelons, garlic & other fruits of daily delight are routinely replicated without any input of external ideas - i.e., they are cloned. there is no general ethical or aesthetic decision to be formed about clones, since you have already imbibed them ever since your first bite. thus, you are not in a neutral or otherwise preliminary position, but already involved, kneedeep.

cannataci records - a new record label run by ripperton & agnès cannataci records is a joint venture hosted by ripperton and agnès. the label is aimed at releasing rather unclassified music, pieces our friends compose or simply ourselves. the aim is at releasing music we believe make things go beyond the usual paths. the label name is a reference to our hopes in the newly appointed un special rapporteur on privacy, namely, joseph cannataci. frankly, we do not want to taint our music with politics, although we are simply firm endorsers of our own privacy and think everybody else should.

there is an alternative reality known as the big funk factory. those unsuspecting travellers who fall into this other place find themselves exposed to many characters and tales from this universe.

the formula was simple: marry bubblegum and soul to the absolute sincerity of an enthusiastic child, cross your fingers and pray for airplay. but while the youthful sums of that formula may have grown up and walked away from their illusions of stardom, their permanent records remain. by 1973, michael, tito, jermaine, marlon and jackie were as hip as kids could get—household names, with lunchboxes, coloring books, a saturday morning cartoon, and an alpha-bits cereal commercial pushing the j5 brand onto any kid with television reception. their impressive run of four consecutive #1 singles playing on both pop and r&b stations cemented their appeal to both whites and blacks, prompting mgm to launch the osmonds as the safer (read: white) alternative. and parents? well michael had that wrapped up with his impossible-not-to-love mini-james brown thing. even their song selection straddled both sides, with “zip a dee do dah” and “abc” for kids, and contemporary standards “standing in the shadows of love” and “my cherie amour” for the older crowd. this extreme marketing and merchandising juggernaut created the kid soul explosion. a decade removed from our acclaimed home schooled compilation comes a fresh batch of talent show titans. with enterprising parents, neighbors, and teachers turning play dates into recording dates, groups like magical connection, little man and the inquires, and five ounces of soul emulated the jacksons, who’d made grade-school stardom appear easy as abc. afterschool special: the 123s of kid soul contains 19 tiny tunes ranging from bilingual d.a.r.e. anthem, to james brown bio, to young love and life beyond the playground.

chicago basement trax returns with an homage to the king of the raw himself ron hardy. those that experienced ron hardy first hand will tell you there was a vibe like no other. a minimal space with strobe lights and a bangin system. if you put your hands on an eq or isolator as a dj thank ron as being an innovator of this creative style of frequency manipulation. not only did ron drop the bass, he dropped whole songs to expose the beautiful crispy hi hats, vocals and then romanced you with the piano before slapping your whole body with the beat. this ep does its job to take you there, just close your eyes and blast off!

justin chapman aka just one is no stranger to the neroli catalogue, having released on the label the co-op hits ‘love2love’ and ‘soul revolutions’, followed by his solo album ‘love music’ a collaboration between neroli and divine recordings. here he shows once again his great talent with ‘i will follow u’. other half of kemetic just dj kemit also delivers 2 different takes on the song, making it an essential ep. tracklisting:

dubtil’s debut for amphia comes in line with the previous 10 releases’ tagline: tailoring new musical perspectives into the multidimensional universe of electronic music. the opener -indoiala- sticks into our brains with its slow decaying voices, pitched down to embrace the devilishly simple percussion. keeping the same eerie approach to his idea of dancefloor oriented loops, dubtil completes side a with -alta schema-, another typical kick-led experience enveloped into a more haunting bassline. bearing a deep house dna yet not losing contact with the dancefloor energy through its breaks pattern, side b’s -repet slap repet- opens the gates to the abstract structure of -contrar-, an apparently chaotic contiguity of weird samples, glued to each other by the minimalistic bassline. jumping from one genre to another, confronting dusty preconcieved ideas just to turn them into a fresh sound: dubtil’s imagination fountain is far from getting dry! we now have the tangible proof.

len leise - ing ing - the first release for general purpose (gp), a record label created by len leise and longtime dj partner and collaborator salvador. leise and salvador neither plan to release exclusively on gp, nor promise regular releases. it’s a label for when they can find the time, energy, money and, most important, the sound they believe in. ing is about embracing change, experimentation and progression. terrified to follow a format, leise looked to other genres for inspiration. he turned to his love for dub, afro, post punk and experimental music to find guidance. artists like scientist, jah shaka, savant, adrian sherwood and andromeda all in their own way influence ing. ing is not what you’d expect from leise. ing is a dub record, a post punk record, an experimental record, a balearic record, a homage record, a record with a purpose.

limited to 150 copies in uv spot glossed silken sleeve and frosted clear vinyl.
the debut release on sores could be by none other than martyr of sores. it is a project of the prominent experimental artist richard ramirez, with hundreds of productions to his name. richard has worked with names like prurient, thurston moore, the haters and merzbow just to name a few. he is also an avantgarde fashion designer. ’ceremony’ is a monumental noise piece in two parts. electrical whirlwind sounds that grows ever so slowly to take you in and tighten it’s grip around your very being. chants evolve in and out of the inferno that are nothing less than astonishing. a hard and beautiful noise work, thanks richard.

midnite spares, australian music devotees andrás and instant peterson hold a candle to overlooked avant-pop and electronic works by antipodean artists and outsiders working through the 80s and 90s. through co-presenting weekly radio show strange holiday, the duo slowly upturned their locale for inspiration - archives, country bookstores, private collections and convenience stores, searching for a place to anchor their own identities in the oceans of the island continent. the 10 tracks acknowledge a minor history, passed on via a network of friends, friends of friends, the libraries of radio station 3rrr and more often than not, the artists themselves. renowned mixed media artist maria kozic enters with the mysterious downbeat of trust me, her partner philip brophy responsible for digital and analogue sonic construction. a recurring character in andrás and instant peterson’s investigations, brophy reappears with a score piece from his divisive feature film salt, saliva, sperm and sweat, recorded as ??? (pronounced “tch tch tch-). other links are thread under the surface. melbourne inner north experimentalist david chesworth explores his australiana songcraft leading whadya want?. the short lived project also featured philip jackson, whose duo the couch is restored from fast forward’s dance issue - a pioneering cassette fanzine published by early-80s 3rrr

nothing lasts but nothing is lost – terence mckenna first solo ep by zanias after her keluar and linea aspera projects. this evolution culminates in a mature but radical project. radicalism has never relied completely on the means to deliver it. it also requires a relationship to society, to culture, at any given time. a solid background must be included in the formula as well. once certain stability is reached, there is no other way more than taking additional risks in order to produce new work of interest. finding different mechanisms to corrupt the methodical linearity that underlies artistic production. corrupting means finding possibilities to create an accident, possibilities to contradict, to prove anomalies within the frame of reference of that new thought is actually possible.

at 21 years old, mathis ruffing has already managed to craft a signature sound, elegant and mature with a focus on melody and texture. rewardingly diverse, the ep touches on several genres and influences, ranging from cosmic to earthy dancefloor cuts, acid, grime, proper electro, idm and ambient. the common thread on this record is the search for balance between heartfelt melodies on one hand and on the other a form of immediacy, raw and almost industrial. ruffing has no trouble finding this balance and adding five terrific tracks to the banlieue catalogue.

it is very difficult to present david duriez without writing an encyclopedic tome as its influence on the house music in france was decisive. since its inception in 1992, david released over a hundred records under his name, tens under various pseudonyms, mainly on vinyls on the most renowned labels like 2020vision, ovum, systematic, pokerflat, f communication, under the counter, stickman, crosstown rebels, the end, etc .. (the list is long, see discogs.com to be convinced) and as many remixes for some of the greatest artists (think moby, dj sneak, gemini, dj hell, llorca, telex, random factor, johnny fiasco, paul johnson, jori hulkkonen, ralph lawson, random factor, kenny hawkes or mr.c). founder of the label brique rouge and a whole galaxy of other labels, he participated in the creation of internationally recognized labels such as robsoul with phil weeks, freak n chic with dan ghenacia (from apollonia) or rz muzik. at a time when david had federated online the cream of the house producers via a forum (far and long before social networks), ivan smagghe had nicknamed him -the producer of the producers.- , a true house music activist, but most of all david duriez is a devastating dancefloor dj, he did several tours around the world and played in some of the biggest clubs in the world between 1995 and 2010. truly one of the most important players in the french electro scene, david is back on tracks after a few years hyatus. but don t call it a comeback because he has never really gone awol, he has been watching the scene and now he s back in the studio. you can expect a (very) long serie of releases for 2016, you have been warned!

remastered & reissued , original released 1981 , goth rock at it best

project sts-31-spiralgalaxie (hubble telescope series vol.3) a clash of the titans! celebrating solar one music s 40th release and 10th anniverary, this split lp sees two stars under various disguises, heinrich mueller (aka der zyklus and various other projects) and german producer robert witschakowski aka the exaltics, back to back in a no return odyssey through the depths of the galaxy. expect nothing but contemplative and cosmic electro beats using original outer-space sounds from the universe. closing the hubble telescope trilogy which brought to you luxus varta and more recently e.r.p. (respectively with the -everything is nothing- and -ancient light- ep s), trippy -spiralgalaxie- will mark a new step in som s history. as usual, the final chapter of the series dedicated solely to hubble and all the great scientists and engineers at the nasa and esa, comes with a beautiful cover print picture taken by the space telescope.